Jaloguin

This is another 18 x 24" acrylic done from my memories of Halloween. I am not sure if it will stay like this, but I am really liking doing this research into the recesses of my visual memory. It is amazing! I have focused on remembering the mood and light more than anything. In these memories I am the viewer, so none of these children is me. I am not forcing the composition or anything. The revisions I have done have more to do with values and colors than with content.

Ball Games

This 20 x 16" acrylic was done entirely from a collection of memories I have of my childhood in Puerto Rico. The top one is the most recent version. I took some licence with the houses as I did not want to make the background too distracting. I did not want to remember every detail either. After all, the genre is defined by the absence of small details.

The composition came out ok, considering I did not plan it. I find it very interesting to paint something I remember without a set plan, because you never know what's going to show up, it's like planning an impromptu dinner. So although the painting would look more beautiful if I planned it more, I am not sure "the doors would remain open," so to speak, to welcome stray visuals of my childhood.

Poet Karen

At first, one sees the person who is modelling; but little by little, all of the possible sculptures that could be made come between artist and model.
Alberto Giacometti

This is a 24 x 24" acrylic that I completed at the Firehouse in Berkeley. It took me six hours because I had a lot of trouble with the hands, but I like the light and the background. I learned a lot struggling with it!