I have been working with the expression of energy through line and brushstroke on canvas, board, and paper. This is the opposite of what I do with my other work, where content, color, and form take precedence over movement. When you are working towards creating the illusion of distance, texture or an environment, it is an extra challenge to convey the stored energy of the brushstroke. I picture the work of expressionists Robert Motherwell and Emily Carr when I think of the preservation of this energy, whether the work is abstract or representational. In these pieces, I abandon the narrative of representation and embark on the joy of movement for its own sake.